Saturday, 30 July 2011
NEW BLINK 182 SONG CALLED "EVEN IF SHE FALLS"
Mark hoppus just posted that he has a new mix for a song called even if she falls!
Wednesday, 20 July 2011
Sunday, 17 July 2011
Blink-182's 'Up All Night': Mark Hoppus Tells The Story
Sure, there's already been a reunion tour, but Thursday, Blink-182 officially returned with "Up All Night," their first proper single in nearly seven years.
And while the song recalls elements of Blink's past (not to mention all those side projects), it's by no means nostalgic. With its darkly undulating electronics, churning chords and Barker's mighty mashing, it also represents a new Blink for a new millennium.
And that's even more impressive when you consider that the song's actually been around for more than two years now, ever since Blink-182 first resumed jamming together in early 2009. During that time, it's undergone some rather drastic changes, but it's always remained core to what the band hoped to do on their new album, Neighborhoods. How do we know all this? Because Mark Hoppus told us, in an email Friday morning (July 15), just hours after "Up All Night" nearly broke the Internet.
" 'Up All Night' was the first song that we started writing when the band got back together," he wrote. "The foundation of the song remains largely the same as when we first began, but over the past two years, as we've been recording others songs, coming back to this one, working on something else, coming back to this song, it's gotten harder and heavier than its original incarnation.
"Initially the chorus had much more air. It was a lofty, synth-y chorus, but we wanted the first song that people heard to be much more of a rocker. We changed a bunch of the instrumentation, recorded heavier guitars and bass, and Tom [DeLonge] wrote the progression that the guitars take on in the chorus," he continued. "Then Travis [Barker] took it over and the drums really solidified the rock element of the track. The half-time intro of the last section was all him, and I think punctuates the song very well."
After all that work, you can imagine how thrilled the guys in Blink have been by the song's initial reception. But that's just the first part of their return. As Hoppus wrote, the next step is letting fans hear Neighborhoods itself. He's beyond excited for that, too.
"I'm so glad to finally have new music out, and cannot believe how well it has been received," he wrote. "[Our website] crashed out several times, my Google-plus account crashed out twice, and blink-182 was a top trending topic worldwide. Totally amazing. Now, I can't wait for the album itself to be released."
Share your review of "Up All Night" in the comments below!
http://www.mtv.com/news/articles/1667368/blink-182-up-all-night-mark-hoppus.jhtml
And while the song recalls elements of Blink's past (not to mention all those side projects), it's by no means nostalgic. With its darkly undulating electronics, churning chords and Barker's mighty mashing, it also represents a new Blink for a new millennium.
And that's even more impressive when you consider that the song's actually been around for more than two years now, ever since Blink-182 first resumed jamming together in early 2009. During that time, it's undergone some rather drastic changes, but it's always remained core to what the band hoped to do on their new album, Neighborhoods. How do we know all this? Because Mark Hoppus told us, in an email Friday morning (July 15), just hours after "Up All Night" nearly broke the Internet.
" 'Up All Night' was the first song that we started writing when the band got back together," he wrote. "The foundation of the song remains largely the same as when we first began, but over the past two years, as we've been recording others songs, coming back to this one, working on something else, coming back to this song, it's gotten harder and heavier than its original incarnation.
"Initially the chorus had much more air. It was a lofty, synth-y chorus, but we wanted the first song that people heard to be much more of a rocker. We changed a bunch of the instrumentation, recorded heavier guitars and bass, and Tom [DeLonge] wrote the progression that the guitars take on in the chorus," he continued. "Then Travis [Barker] took it over and the drums really solidified the rock element of the track. The half-time intro of the last section was all him, and I think punctuates the song very well."
After all that work, you can imagine how thrilled the guys in Blink have been by the song's initial reception. But that's just the first part of their return. As Hoppus wrote, the next step is letting fans hear Neighborhoods itself. He's beyond excited for that, too.
"I'm so glad to finally have new music out, and cannot believe how well it has been received," he wrote. "[Our website] crashed out several times, my Google-plus account crashed out twice, and blink-182 was a top trending topic worldwide. Totally amazing. Now, I can't wait for the album itself to be released."
Share your review of "Up All Night" in the comments below!
http://www.mtv.com/news/articles/1667368/blink-182-up-all-night-mark-hoppus.jhtml
Saturday, 16 July 2011
Friday, 15 July 2011
Blink-182 Roar Back With 'Up All Night'
Band's new single recalls their past, while pushing towards the future.
Back in January 2010, Mark Hoppus was struggling to describe the new songs he was working on with Blink-182 — about the best thing he could come up with was "weird" — when all of a sudden, almost by accident, or perhaps because he was tired of searching for adjectives, he switched gears and began discussing the myriad of outside projects he and his bandmates were involved in, and how they were influencing Blink's new direction.
"I think that everything that everyone works on outside of Blink comes back to Blink. And being involved in all these different projects allows us to go off and try different ideas and bring those ideas back home to what we do every day. And I think it's a really positive thing," Hoppus said. "I know it's confusing for people, because everyone's like, 'Tom's doing this, and Travis is doing this, and Mark's producing ... why aren't you guys focusing on Blink?' But I think what people need to understand is that, that's how we focus on Blink. We go off, and we bring all these different pieces and ideas back, and we get inspired by other artists and get inspired by working with different people, and then when we come back to Blink, it just helps us.
"Everybody listens to such different stuff. Tom is really into, like, '80s stadium rock; huge, monumental '80s rock bands. Travis is all over the place musically, and he always comes up with beats and drum parts that are so way out that I would never think of them," he continued. "And I've just been listening to a lot of weird indie rock. So somewhere between amazing hip-hop beats, stadium rock and indie rock, you'll find Blink."
And now, we know exactly what he meant. Because on Thursday night — something like 12 hours ahead of schedule — Blink premiered "Up All Night," the first single off their much-anticipated new album. And for all the hype surrounding it, it is very much the way Hoppus described it: a booming, skittering mix of beats, arena-rock and yes, maybe even a little indie.
In short, "Up All Night" (which debuted on the band's website and Los Angeles radio station KROQ) is the perfect synthesis of everything Blink's three members have been doing in the eight years since their last record. The boom-bap backbeat recalls Travis Barker's solo album (and umpteen hip-hop remixes). The fluttering electronics bring to mind Hoppus and Barker's Plus-44 project. The widescreen chorus reflects the scope of Tom DeLonge's Angels & Airwaves. And the air-tight production reminds me of Hoppus' work with Motion City Soundtrack.
Of course, the song also drums up memories of Box Car Racer, the late, lamented DeLonge and Barker band (it sounds very much like a muscled-up version of "Elevator"), and Blink's decidedly darker self-titled album, too. But at the same time — and in a testament to the band's talents — it never really feels like a retread ... it represents a new Blink for a new millennium, one capable of combining slipstream sonics with ripping chords and an absolute corker of a chorus.
So now, finally, Blink are back. With "Up All Night," they not only prove that they've learned from the past but that they're willing to embrace the future. And by doing so, they may have also proved an old adage wrong: Perhaps you can teach old dogs new tricks.
http://www.mtv.com/news/articles/1667332/blink-182-new-single-up-all-night.jhtml
Back in January 2010, Mark Hoppus was struggling to describe the new songs he was working on with Blink-182 — about the best thing he could come up with was "weird" — when all of a sudden, almost by accident, or perhaps because he was tired of searching for adjectives, he switched gears and began discussing the myriad of outside projects he and his bandmates were involved in, and how they were influencing Blink's new direction.
"I think that everything that everyone works on outside of Blink comes back to Blink. And being involved in all these different projects allows us to go off and try different ideas and bring those ideas back home to what we do every day. And I think it's a really positive thing," Hoppus said. "I know it's confusing for people, because everyone's like, 'Tom's doing this, and Travis is doing this, and Mark's producing ... why aren't you guys focusing on Blink?' But I think what people need to understand is that, that's how we focus on Blink. We go off, and we bring all these different pieces and ideas back, and we get inspired by other artists and get inspired by working with different people, and then when we come back to Blink, it just helps us.
"Everybody listens to such different stuff. Tom is really into, like, '80s stadium rock; huge, monumental '80s rock bands. Travis is all over the place musically, and he always comes up with beats and drum parts that are so way out that I would never think of them," he continued. "And I've just been listening to a lot of weird indie rock. So somewhere between amazing hip-hop beats, stadium rock and indie rock, you'll find Blink."
And now, we know exactly what he meant. Because on Thursday night — something like 12 hours ahead of schedule — Blink premiered "Up All Night," the first single off their much-anticipated new album. And for all the hype surrounding it, it is very much the way Hoppus described it: a booming, skittering mix of beats, arena-rock and yes, maybe even a little indie.
In short, "Up All Night" (which debuted on the band's website and Los Angeles radio station KROQ) is the perfect synthesis of everything Blink's three members have been doing in the eight years since their last record. The boom-bap backbeat recalls Travis Barker's solo album (and umpteen hip-hop remixes). The fluttering electronics bring to mind Hoppus and Barker's Plus-44 project. The widescreen chorus reflects the scope of Tom DeLonge's Angels & Airwaves. And the air-tight production reminds me of Hoppus' work with Motion City Soundtrack.
Of course, the song also drums up memories of Box Car Racer, the late, lamented DeLonge and Barker band (it sounds very much like a muscled-up version of "Elevator"), and Blink's decidedly darker self-titled album, too. But at the same time — and in a testament to the band's talents — it never really feels like a retread ... it represents a new Blink for a new millennium, one capable of combining slipstream sonics with ripping chords and an absolute corker of a chorus.
So now, finally, Blink are back. With "Up All Night," they not only prove that they've learned from the past but that they're willing to embrace the future. And by doing so, they may have also proved an old adage wrong: Perhaps you can teach old dogs new tricks.
http://www.mtv.com/news/articles/1667332/blink-182-new-single-up-all-night.jhtml
Blink 182 premiere comeback single Up All Night – Listen here
The pop punk trio are set to release their first album in eight years later in the summer and have given fans the first taste of what the record may sound like.
Up All Night has existed in some form since 2009, when the band reformed after going on hiatus four years before.
Blink said back then though that they wouldn’t play the track during their reunion tour, claiming they hadn’t finished recording it.
‘We really don't want the first time that people hear our new song to be a YouTube version of us playing it live,’ Mark Hoppus said in 2009.
‘We want it to be the actual song, and we haven't gotten the chance to finish it yet, so we'll probably leave it out of the set until we actually release it.’
Fans had to wait two years to hear the finished product but were rewarded for their patience on Friday when the band released the track on their official website and debuted it on Los Angeles radio station KROQ.
Thursday, 14 July 2011
Blink 182′s Latest Single ‘Up All Night’
Blink 182 have confirmed that on Friday, July 15, the group will premiere their comeback single via the Internet. The song, “Up All Night” will be released to the group’s website, Blink182.com at 3:30pm BST (7:30am PST).
Bassist Mark Hoppus recently noted on his blog that the group’s sixth album will wrap up production later this summer. The group has made previous mention of releasing “Up All Night” as a single back in 2009 as they made their comeback tour.
Mark Hoppus's Bass
Price: £800 upwards
Purchased from: not from anywhere in the US or uk
Features: The sad thing about the Mark Hoppus Jazz Bass is that it is only made in Mexico. This isn't necessarily a bad thing though. It means that you can get it relatively cheap but will have to bear the fact that its not made in the USA. The Mark Hoppus Bass is the usual Fender, 20 frets, jazz body. Its also strung through the body.
The cool thing I like about the bass is that it comes in a jazz body with Precision pickups so it looks quite good. The pickguard also looks quite good on the body.
Sound: Its is a pretty decent bass. The tone is great (more on that later), it has enough treble to cut through and still enough bass to support a band. The pickups are powerful and have a huge punch. One of the things I like about it is that the bass has a nice light sound on the high strings(meaning that it doesn't make people cringe when playing high notes)and a hefty low sound on the low strings. Its comfortable to play and very satisfactory to play with in a band because of its punch. The cool thing I like about the bass is that it comes in a jazz body with Precision pickups so it looks quite good. The pickguard also looks quite good on the body.
The Mark Hoppus Jazz Bass is very genre specific. Its pretty much a punk rock bass, good for punk rock(duh)/pop punk, rock and metal, but don't expect anything towards the blues and jazz side, its pickups just don't deliver the right sound for that. Also this bass is terrible for slapping but i don't like to use the slap method anyway.
The main problem with this bass is its lack of tone variety, this bass can only produce one sound, so you must be happy with it before you buy it. The lack of a tone knob puts serious limitations on this bass, and the only thing you can control is volume. However, if you use an amp with an equaliser, you can get amazing tones out of this bass.
I prefer playing with fingers rather than a pick and but I use both methods on this bass. Its comfortable to play with using both methods and you can get the two different ends of the sound spectrum by using the different methods (low and punchy with fingers, high treble with pick)
Overall the sound is great if you plan to use it for the correct genre of music, i use this bass mainly for rock and punk pop and I feel it's amazing at that. I also have a Fender American Deluxe Jazz Bass, so I use that for other genres.
Action, Fit & Finish: The guitar was set up pretty well, except for some fret buzz and string height problems. The fret buzz wasn't significant so I left it. The string height only took 5 minutes to fix so I'm happy. The guitar was in great condition when I got it so there's nothing much to complain about.
The Fender website gives the impression that the black Mark Hoppus jazz bass is actually met black but its not (or at least im quite sure it isnt). I wanted a white one but i could only get a black one.
Reliability & Durability: I've used this guitar Live 2 times already and its great. Its comfortable, light, very playable and generally fun to play with. The fact that the bass is passive makes it even more reliable cause you know that it wont conk out on you during a gig cause of batteries.
All the hardware looks well setup and the volume knob is tight and accurate to the volume (0= 0 output, 5= 5 output, 10= 10 output)The strap buttons are securely fastened and i haven't got any problems yet.I guess I would use it without backup but i usually bring my American Deluxe along anyway to any gig cause of the tone problem.
The finish is great and will remain that way if its owner takes care of it.
Impression: A great bass but very very genre specific. This is a good bass to add to a collection of basses to fully complete a range of sounds. The only drawback is the lack of tone, but that can be overcome by using an equaliser or a pre amp. I've been playing for two years and I've heard my friends play it while I play drums or guitar so I know it sounds good from different perspectives.
If I had a choice to trade it with another bass, however I would trade it with a simple Fender Precision or better yet a Squier P-Bass Special. This is because the same sound can probably be gotten from a Fender Precision installed with Seymour Duncan Quarter Pounder Bass Lines pickups( The same pickups as the Mark Hoppus Jazz Bass). A Squier would be even better, cause I can replace both the split Precision pickups and J bass pickups with seymour duncans and with some tweaking, make it sound even better than the Mark Hoppus Jazz Bass.
One thing you should not do is buy it just because it's Mark Hoppus's signature. Buy it because of its powerful tone, playability and stylish looks. Before you decide to buy it, you should watch live videos of Blink 182 and Plus 44 to see if thats the tone your looking for.
Blink 182 - Up All Night
Barker, in June 2009, called "Up All Night" a "logical step-forward" from the music found on the band's previous effort, blink-182 (2003). Barker also hinted that when the band was able to get back together and record, that that would be the direction they would take. He called the track "heavy," and added that it sounded like "if you mixed Box Car Racer and Blink. "Up All Night" contains elements of everything the band has done,and pushes further than they've gone before, according to Hoppus.
Blink 182 - Up All Night (New Single)
The single will debut on the band's official website on Friday at 3.30pm UK time.
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